Chelsea Girls

Lacking a formal narrative, Warhol's mammoth film follows various residents of the Chelsea Hotel in 1966 New York City. The film was intended to be screened via dual projector set-up.

Życie codzienne

Dialogue-free short detailing the daily tasks of a man and his wife.

Rumstick Road

A video reconstruction of the 1977 Wooster Group production Rumstick Road, an experimental theater performance created by Spalding Gray and Elizabeth LeCompte after the suicide of Gray's mother. Archival recordings are combined with photographs, slides, and other materials to recreate the original production.

El circo

Madrid, Spain, 1949. The Circo Americano arrives in the city. While the big top is pitched in a vacant lot, the troupe parades through the grand avenues: the band, a witty impersonator, the Balodys, acrobats, jugglers, acrobatic skaters, clowns and… Buffallo Bill.

Vltava po válce

A 4-year-old girl cries, lost in the city. A Soviet soldier on a ferry takes her in and takes her to her home village.

DO

Mae

Mae and Gemma spend one last night together knowing that, in the morning, their relationship will be over. Mae struggles to get through to Gemma, who does everything to cling onto what she thinks is the perfect relationship. Through manipulation and seduction, the two women try to understand how what is tearing them apart is also what is keeping them together.

A Sentença

Daydream Therapy

Daydream Therapy is set to Nina Simone’s haunting rendition of “Pirate Jenny” and concludes with Archie Shepp’s “Things Have Got to Change.” Filmed in Burton Chace Park in Marina del Rey by activist-turned-filmmaker Bernard Nicolas as his first project at UCLA, this short film poetically envisions the fantasy life of a hotel worker whose daydreams provide an escape from workplace indignities. —Allyson Nadia Field

Noc s agamou

Prague, night station in winter. Radka with a small daughter, a suitcase on wheels and a sports bag get off the bus. Luděk slowly walks back home through the streets of the same city, knowing that no one is waiting for him. A few hours before dawn, the initially purposeful intersection of lonely destinies can resemble a family. A Night with Agama is about the meeting of people who are dependent on the help of others, yet have to help themselves first and foremost.

77777

Protihráč

Not long ago, Petr was a celebrated and highly paid footballer, a national team player, captain of the most famous club in the country. But those days are gone. Now Petr is trying to restart his career at a small regional club and get his life in order. But his biggest rivals are no longer his opponents on the football field, but himself.

１２月のかくれんぼ

"Ryuta is 5 years old. Even though he is my son, I sometimes wonder what this small person is to me. Even though I see his joys and sadnesses and know the feel of his warmth on my skin when I hold him, there are moments when my feelings for him become vague and blank." - Takashi Ito

The Great Ice-Cream Robbery

Two screens of film about - and sometimes shot by - Claes Oldenburg, detailing his inspiration, his methods and his relationship with his partner Hannah Wilke.

Chance, History, Art...

Anne Bean, John McKeon, Stuart Brisley, Rita Donagh, Jamie Reid and Jimmy Boyle are interviewed about their artistic practice and the legacy of Surrealism on their work.

Meow Window

A woman who has been watching her next door neighbor for some time develops an intense affection for her neighbor's cat. This love will eventually end in regret.

العاصفة

The Kuwaiti short film العاصفة (The Storm) explores Kuwait's social and economic shifts before and after the discovery of oil. Through the perspectives of an older father and his modernized son, it delves into the challenges of tradition versus rapid modernization.

Yo creo que...

Человек с киноаппаратом

A cameraman wanders around with a camera slung over his shoulder, documenting urban life with dazzling inventiveness.

A propósito de Buenos Aires

Eleven young film-makers got together to collaborate in this atypical project. Atypical not only because of its technical specs, but because of its narrative structure. There are several scenes with only the city in common, and more as a conceptual presence at that than as a precise geography. None of those scenes contains a single "story": Each one of them is part of a larger situation that we cannot see, as though the beginning and end of each "story" had to be filled in by the audience.