A Bad Name

Two street artists with contrasting intentions about the artform tell the relevance of street art in society while accompanied by an enigmatic graffiti writing, “Bon Jovi.”

Nos Interstícios da Realidade, ou O Cinema de António de Macedo

He was the most prolific within the New Portuguese Cinema generation. He would try western spaghetti, esoteric allegory, supernatural, and science-fiction. Without state subsidies, he would quit filmmaking in the 1990s. Who remembers António de Macedo?

Obvious, hackers de l'art

Hit Him on the Head with a Hard Heavy Hammer

Hit Him on the Head with a Hard, Heavy Hammer departs from the handwritten memoir of the filmmaker’s father and his experience of displacement during wartime. Referring to the notion Thomas Hardy termed ‘The Self-Unseeing’ in his eponymous 1901 poem, the film returns to childhood and the matters that harden us: upbringing, social status, education, labour, and familial bonds. The memoir weaves into the film as both a contemplation on mortality and an illustration of fading memory, reflecting on how we pen our pasts and how they can be re-told.

Detrás del Atelier

Experimental documentary that dives inside the creative process of three great Panamanian fashion designers: Andrea Sousa Pitti, Verónica Ángel and Tony Vergara.

Coco Chanel Unbuttoned

The story of original influencer Coco Chanel, whose designs still represent the zenith of female sexuality, style and power.

L'home de ferro

The Iron Man takes us on an introspective journey into the life of Toni, a man who finds in art and nature the essential pillars of his existence. The creation of iron and stone sculptures, together with work in the countryside as a gardener, help him to find beauty in the simplicity of life. His vision of life, as if he were a ‘rural philosopher’, will teach us to break down stigmas about mental health and to look at life from a hopeful perspective.

Comic Book Confidential

A survey of the artistic history of the comic book medium and some of the major talents associated with it.

Don't You Feel Lovely Today

Why wouldn't you? Is there any reason not to? We've got so much at our disposal, so, why don't you? Won't you tell me? Won't you please tell me? To have you down is simply unacceptable. Just look at this; or this; at all these hallmarks to guide you and convey to you the prime ways to feel lovely. Just follow them and you'll be set. So, I ask you again... Don't you feel lovely today?

Wrap de Perú

He's hungry, and chances are you're also hungry, so tag along. Who knows, you might learn a thing or two.

Gudisai 6 Open Mic Movie | Indie Community

GUDISAI is an inspiring indie musical documentary that chronicles the vibrant journey of aspiring artists in the open mic scene. Set against the backdrop of Chennai's thriving music culture, the film captures heartfelt performances, personal struggles, and the transformative power of creativity. Through a series of candid interviews and electrifying live sessions, GUDISAI showcases the resilience and passion of musicians as they navigate their paths from rejection to success, highlighting the importance of community, art, and self-expression. Join us in celebrating the raw talent and unwavering spirit of indie artists as they take the stage and share their stories.

Frank and Ollie

Before computer graphics, special effects wizardry, and out-of-this world technology, the magic of animation flowed from the pencils of two of the greatest animators The Walt Disney Company ever produced -- Frank Thomas and Ollie Johnston. Frank and Ollie, the talent behind BAMBI, PINOCCHIO, LADY AND THE TRAMP, THE JUNGLE BOOK, and others, set the standard for such modern-day hits as THE LION KING. It was their creative genius that helped make Disney synonymous with brilliant animation, magnificent music, and emotional storytelling. Take a journey with these extraordinary artists as they share secrets, insights, and the inspiration behind some of the greatest animated movies the world has ever known!

Vérités et Mensonges

Documents the lives of infamous fakers Elmyr de Hory and Clifford Irving. De Hory, who later committed suicide to avoid more prison time, made his name by selling forged works of art by painters like Picasso and Matisse. Irving was infamous for writing a fake autobiography of Howard Hughes. Welles moves between documentary and fiction as he examines the fundamental elements of fraud and the people who commit fraud at the expense of others.

Nightmares in Red, White and Blue

An exploration of the appeal of horror films, with interviews of many legendary directors in the genre.

Waste Land

An uplifting feature documentary highlighting the transformative power of art and the beauty of the human spirit. Top-selling contemporary artist Vik Muniz takes us on an emotional journey from Jardim Gramacho, the world's largest landfill on the outskirts of Rio de Janeiro, to the heights of international art stardom. Vik collaborates with the brilliant catadores, pickers of recyclable materials, true Shakespearean characters who live and work in the garbage quoting Machiavelli and showing us how to recycle ourselves.

Here We Are

A housekeeper received a film made by her daughter. It's a film that combines found footages of Thailand during the Cold War with the present days images of Bangkok. Through these images she tells a story of the house owner and her own story of coming to the capital.

Vanity

Les Dites Cariatides

Commissioned by French television, this is a short documentary on the neo-classical statues found throughout Paris, predominantly on the walls of buildings, holding up windows, roofs etc.

The We Should Game

Fame driven Ken Dean becomes the subject of a documentary when he attempts to start a pornography company. Following the failure of the company, Ken uses his father's religious music to start a Christian rock band but finds himself trapped in a gay conversion cult.

Seedbed

“In this legendary sculpture/performance Acconci lay beneath a ramp built in the Sonnabend Gallery. Over the course of three weeks, he masturbated eight hours a day while murmuring things like, "You're pushing your cunt down on my mouth" or "You're ramming your cock down into my ass." Not only does the architectural intervention presage much of his subsequent work, but all of Acconci's fixations converge in this, the spiritual sphincter of his art. In Seedbed Acconci is the producer and the receiver of the work's pleasure. He is simultaneously public and private, making marks yet leaving little behind, and demonstrating ultra-awareness of his viewer while being in a semi-trance state.” – Jerry Saltz (via: http://www.ubu.com/film/acconci_seedbed.html)