Gilles Vigneault : au coeur du pays

Cover Your Ears

When does art become obscenity? Cover Your Ears takes a close look at this question through the lens of the past 100 years of music and the ever-evolving discussion of legal and moral lines in the industry

The Ballad of Crowfoot

Released in 1968 and often referred to as Canada’s first music video, The Ballad of Crowfoot was directed by Willie Dunn, a Mi’kmaq/Scottish folk singer and activist who was part of the historic Indian Film Crew, the first all-Indigenous production unit at the NFB. The film is a powerful look at colonial betrayals, told through a striking montage of archival images and a ballad composed by Dunn himself about the legendary 19th-century Siksika (Blackfoot) chief who negotiated Treaty 7 on behalf of the Blackfoot Confederacy. The IFC’s inaugural release, Crowfoot was the first Indigenous-directed film to be made at the NFB.

BACKSTAGE: TXT x EN-

A look behind the scenes with ‘TOMORROW x TOGETHER’ & ‘ENHYPEN’, two HYBE artists, as they prepare for their first joint performance.

Enrique Morente: flamenco impuro

Enrique Morente's three sons tell the story of their father: the most revolutionary flamenco in history. Despite criticism from purists, he opened cante jondo to cultured poetry, brought it closer to young university students, explored its Arab roots and paired it with rock and other contemporary sounds. Much of the Spanish music of the last decades is heir to his findings.

Jet Set Radio: The Rude Awakening

A mini documentary that was included in the HD release of Jet Set Radio that goes over the history of the game's development.

Ein Leben als Extravaganza - Das Genie Frank Zappa

The documentary examines Frank Zappa and his music through archive footage, including unique video excerpts from Austrian television archives featuring interviews with Zappa and backstage scenes from the 1970s and 1980s. The entire film is divided into chapters discussing the most important themes in Zappa's life and work.

Howls to the Harbour

An intimate portrait of musician Patrick Wolf as he builds a new life by the sea.

Обретение цвета. Денис Буряков

This short film tells about a young, but already well-known flutist Denis Bourikov. A winner of international competitions and a scholar of the "New Names" program, in his fourteen years he traveled the world, gave solo concerts, performed in the residences of the Pope of Rome and the Patriarch of Moscow and All Russia. James Galway, one of the best flutists of the world, said about him: "Denis, without a doubt, is the most capable young musician. I believe he has a great future". Tracing the creative path of this gifted flutist, the film tries to reveal his complex inner world.

Otto Klemperers lange Reise durch seine Zeit

Relying on a bounty of archival footage and interviews with prominent musicians and intimates, Philo Bregstein's film traces the life and career of the conductor and composer Otto Klemperer, one of the foremost musicians of his time.

Divas

Hail Bop! A Portrait of John Adams

Shot over the course of a year, this intimate portrait of provocative composer John Adams presents scenes of the artist at work and at play against the backdrop of dramatic American landscapes that reflect the themes of his music. Though he has a number of credits to his name, Adams is best known for his unconventional opera "Nixon in China," which explores the former U.S. president's meeting with Mao Zedong in 1972.

Bela Bartók

A portrait of the life and work of the great Hungarian composer Béla Bartók, exploring both his music and his passionate interest in his country's folklore.

Blind Melon: Intimate and Interactive

Blind Melon's live performance and interviews on MuchMusic's "Intimate & Interactive" series on September 12, 1995. Songs include No Rain, Lemonade, Galaxie, Toes Across the Floor, and more.

Informação H. J. Koellreutter

音樂家周藍萍

Zhou Lan-Ping, who wrote the renowned Mandarin pop song ‘Green Island Serenade’ and the score of the acclaimed Chinese musical film The Love Eterne, is one of the most celebrated Chinese composers in modern times. Through old friends and colleagues’ recollection, commentaries from experts in the fields and academic researches, together with historical photos and audio-visual materials, this documentary explores this musician’s life and music and pays tribute to his contribution to the Chinese film and pop industries.

Hard Working Americans: The First Waltz

The film documents the Hard Working Americans' (Todd Snider, Dave Schools, Neal Casal, Duane Trucks, Chad Staehly, Jesse Aycock) beginnings... behind the scenes in the studio as the band collaborates on their self-titled debut album and on the road following the band close-up throughout their national tour

The Unanswered Question V : The Twentieth Century Crisis

This series comprised six lectures on music, which cumulatively took the title of a work by Charles Ives, The Unanswered Question. Bernstein drew analogies to other disciplines, such as poetry, aesthetics, and especially linguistics, hoping to make these lectures accessible to an audience with limited or no musical experience, while maintaining an intelligent level of discourse: Lecture 5 picks up at the early twentieth century with an oncoming crisis in Western Music. As these lectures have traced the gradual increase and oversaturation of ambiguity, Bernstein now designates a point in history that took ambiguity too far.

Heaven Can Wait – Wir leben jetzt

The film accompanies members of a Hamburg choir singing modern pop songs.

The Unanswered Question I : Musical Phonology

This series comprised six lectures on music, which cumulatively took the title of a work by Charles Ives, The Unanswered Question. Bernstein drew analogies to other disciplines, such as poetry, aesthetics, and especially linguistics, hoping to make these lectures accessible to an audience with limited or no musical experience, while maintaining an intelligent level of discourse: Phonology is the linguistic study of sounds, or phonemes. Bernstein's application of this term to music results in what he calls "musical phonology".