The Illumination

When Gordon Gund went blind in 1970 at age 30 due to retinitis pigmentosa, he resolved to find a cure for the disease and created the Foundation Fighting Blindness. After decades of scientific research, a major breakthrough emerged, and this short film showcases the inspirational story of a 17-year-old Belgian boy who is a beneficiary of this work.

Barbara Stanwyck: Fire and Desire

Actress Sally Field looks at the dramatic life and successful career of the superb actress Barbara Stanwyck (1907-90), a Hollywood legend.

To Be or Not to Be: Klingons and Shakespeare

The story behind the translation and performance of Shakespeare's "Hamlet" in Klingon.

En la ciudad perdida

The city of Madrid as it appears in the Spanish films of the 1950s. A small tribute to all those who filmed and portrayed Madrid despite the dictatorship, censorship and the critical situation of industry and society.

Salvador Dalí at Work

Filmmaker Jonas Mekas follows the surrealist artist around the streets of New York documenting staged public art events.

Chavela

Inspired by an exclusive interview and performance footage of Chavela Vargas shot in 1991 and guided by her unique voice, the film weaves an arresting portrait of a woman who dared to dress, speak, sing, and dream her unique life into being.

David Stratton: A Cinematic Life

A compelling personal journey with David Stratton, as he relates the fascinating development of our cinema history. David guides us from his boyhood cinema experience of Australia in England, where he saw the first images of this strange and exotic landscape via the medium of film, to his migration to Australia as a ‘ten pound pom’ in 1963 and onto his present day reflections on the iconic themes that run through our cinematic legacy. All of this reflects a passionate engagement in a uniquely Australian medium. Parallel and at the heart of the series is the story of an industry whose growing pains David has witnessed over a lifetime. Alongside David, the protagonists of this history are the giants of Australian cinema – both behind the camera and in front of it.

Twenty Years After

This short celebrates the 20th anniversary of MGM. Segments are shown from several early hits, then from a number of 1944 releases.

Ich bin, Gott sei Dank, beim Film!

Eva Ebner is a Berliner who gives the appearance of being rather eccentric. She knows the film business inside out – regardless of whether she’s work- ing behind the camera as an assistant director or in front of it as an actor. Her name is closely associated with a series of now-legendary adaptations of Edgar Wallace’s crime novels which were made in Germany during the 1960s. Upcoming young directors from local film schools have also profited from Ms. Ebner’s unbroken enthusiasm and passion for film. However, this eighty-year-old has a more than broken relationship to the events of her childhood and youth in Gdansk – a time when her life was characterised by an anti-Semitic step-mother and the dangers posed by the Nazi regime. This film portrait does not eschew any of the long dark shadows of that era, nor does it sidestep any friction between portrayer and his subject. (Lothar Lambert)

We're in the Movies, Now!

Promotion reel/souvenir of a 1939-40 meeting of the Paramount Studios sales people.

Return to Crystal Lake: Making 'Friday the 13th'

You Don't Back Down

In Nigeria, a young Canadian doctor serves in a local mission hospital and learns much from the experience. Stationed abroad under the Canadian University Service Overseas Plan, Dr. Alex McMahon and his schoolteacher wife find every day a fresh challenge. An interesting study of intercultural help.

Fassbinders Berlin Alexanderplatz. Ein Megafilm und seine Geschichte

A documentary about the making of the television mini-series by Rainer Werner Fassbinder, including interviewees with the principal actors.

Studio 5

Shot live in the studio during the evening broadcast on Swedish public television, the film shows the news like you've never seen them before.

Foster Child

Gil Cardinal searches for his natural family and an understanding of the circumstances that led to his becoming a foster child. An important figure in the history of Canadian Indigenous filmmaking, Gil Cardinal was born to a Métis mother but raised by a non-Indigenous foster family, and with this auto-biographical documentary he charts his efforts to find his biological mother and to understand why he was removed from her. Considered a milestone in documentary cinema, it addressed the country’s internal colonialism in a profoundly personal manner, winning a Special Jury Prize at Banff and multiple international awards.

Afrocentricity

On the surface, this collection of shorts by up-and-coming African American filmmakers arrived at a perfect time. The cutting-edge products of the New Black Cinema of the early '90s had disappeared, giving way to embarrassingly stereotypical, scatological fare such as Booty Call and Next Friday. This feature-packed compilation (which includes production notes, interviews with all of the filmmakers, and audio commentary by four) attempts to prove that African American cinema is intent on moving past the lowbrow humor, as six of the seven shorts steer clear of any comedy.

Quest for the Ring

Edith+Eddie

Edith and Eddie, ages 96 and 95, are America's oldest interracial newlyweds. Their unusual and idyllic love story is threatened by a family feud that triggers a devastating abuse of the legal guardianship system.

Granny's Flags

Haja Fatma, a mother to eight children, tells the tale of family life in Tripoli during the Libyan Revolution. Women, young and old, all contributed during these hostile months in their own unique way. A human portal into the acts of ordinary people in their hope for freedom.

Hedda Hopper's Hollywood No. 2

Hedda Hopper plays hostess at a party for her (grown) son William (DeWolfe Jr.). Hopper, attends the dedication of the Motion Picture Relief Fund's country home and goes to the Mocambo. There is also a sequence dedicated to the Milwaukee, Wisconsin world premiere of the first short in this series attended by more that a few film stars.