Metropolis

In a futuristic city sharply divided between the rich and the poor, the son of the city's mastermind meets a prophet who predicts the coming of a savior to mediate their differences.

The Alchemistic Suitcase

A nervous and unsettling young boy takes a mysterious old suitcase across London... to a twisted and surreal conclusion.

Carmen

Der Sonnwendhof

The young, dissolute Mathias, in conflict with his father, doesn't hesitate to set fire to his father's forge. When he returns to the farm after many years and falls unhappily in love with the maid Anna, Mathias stirs things up again...

The Street of Forgotten Men

Easy-Money Charley, the best fake crippled beggar in New York, loses his beloved dog and adopts a dying prostitute's daughter to fill the empty place in his heart. But his fellow crooks and dissemblers mock him for sentimentality, and he disowns the child in order to bring her up secretly in the safety of a distant suburb. He brings her up as a young lady in ignorance of her true history or of his; but when he discovers that her affections have taken an unexpected slant, it brings about an end to their tranquil life, a crisis of conscience, and an opportunity for the sinister 'White-Eye' to take a hand...

L'inferno

A two-reel adaptation of Dante Alighieri's Inferno from the Divine Comedy by Helios Film. It is less well-known than the five-reel feature produced the same year by Milano Films, but it was released earlier in 1911.

The Story of the Kelly Gang

Just as Galeen and Wegener's Der Golem (1915) can be seen as a testament to early German film artistry, The Story of the Kelly Gang (1906) symbolizes both the birth of the Australian film industry and the emergence of an Australian cinema identity. Even more significantly, it heralds the emergence of the feature film format. However, only fragments of the original production of more than one hour are known to exist, preserved at the National Film and Sound Archive, Canberra; Efforts at reconstruction have made the film available to modern audiences.

The Manxman

A fisherman and a rising lawyer who grew up together as brothers fall in love with the same woman.

Esmeralda

It was the first film version of the Hunchback of Notre Dame.

本能寺合戦

In 1908, Director/Producer Shozo Makino (father of Japanese cinema) directed and produced the first dramatic film in Kyoto. “Honnô-ji Gassen” was shot at Shinnyo-Do Temple. Considered a lost film.

Dvorovi u samoći

Lost film directed by Tito Strozzi.

忠臣蔵

An adventure film with Benshi performers. Sometimes considered the 'first Japanese feature film', it survives today as a compilation of scenes from various different 1910s adaptations totaling nearly three hours in length. The bulk of the content comes from the 1911 adaptation by legendary Japanese filmmaker Makino Shozo.

Daughters of Today

Daughters of Today was a 1928 silent film from Lahore, in present-day Pakistan (then British India). It was produced by G.K Mehta and directed by Shankradev Arya. This was the first feature film made in Lahore, and helped to establish the city of Lahore as one of the centers of filming in India. The Lahore film industry is now known as Lollywood. Production started in 1924 and took three years to complete, mainly due to financial problems. Two participants later became prominent personalities of the South Asian film industry: A.R. Kardar was one of the most famous Bombay film directors in the 1930s, 1940s and 1950s; and actor M. Ismael's film career spanned over five decades.

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German silent film

Fifth Avenue

When her cotton crop is burned, Barbara Pelham, a beautiful southern girl, comes to New York to find work as a fashion designer, staying with Mrs. Kemp, a woman she meets on the northbound train. In Mrs. Kemp's house, Barbara encounters Peter Heffner, a wealthy stockbroker, and discovers from him that she has taken up residence in a whorehouse. There is a police raid, but Barbara escapes arrest and returns home. Heffner's son, Neil, goes south to inspect some family property and there meets Barbara, with whom he falls in love. They decide to be married, and she accompanies him to New York, where she meets the elder Heffner for a second time. He denounces her as a whore, but Barbara goes to Mrs. Kemp, who explains the misunderstanding to everyone's satisfaction.

風雲城史

A samurai returns to his homeland after a three year absence and finds his fiance is now one of the prince's concubines.

Dernier amour

Ninon, a veteran stage artist, resides in her villa in Provence, surrounded by admirers as veteran or more than her. A film crew arrives at the gardens of the town to film some scenes in that beautiful spot. The director and screenwriter of the team will notice the charms of Ninon.

Persuasive Peggy

Informed by her husband Ed that they will not be honeymooning at Niagara Falls as promised, but rather at the County Fair, newlywed Peggy decides it is time to assert her independence and steals away to the falls alone, leaving her bewildered husband to follow. After the honeymoon, Ed takes his bride to the home that had been his mother's, and Peggy redecorates the entire house in her husband's absence. Gradually, Ed learns to submit to his wife's modern attitudes until he discovers that her continual visits to the city have not been to the dentist's, as she had said, but to the studio of portrait painter Perry Pipp. Ed angrily confronts Peggy with her deception, forcing her to return home to her parent's house. Later, when Ed learns that Peggy has been posing for a portrait as a birthday surprise, he begs his wife's forgiveness, which she bestows, along with the information that a baby is on it's way.

Die Fürstin Woronzoff

Mary Jane's Pa

After wandering the world for fifteen years, Hiram Perkins returns home to find his wife running a small town newspaper to support their two daughters. With pity in her heart, Mrs. Perkins allows her husband to stay in the house providing that he not disclose his identity. Mrs. Perkins is waging a battle against the re-election of Joel Skinner for a seat in the assembly, and when she learns that Skinner has mistreated old Mrs. Miller, she is determined to expose his actions. Rome Preston, running in opposition to Skinner, requests that she stop the story, but Mrs. Perkins refuses and so Preston disables the press. With Hiram's help, Mrs. Perkins prints the story and Skinner is defeated. In revenge, Skinner's men burn the press and demand that Hiram be tarred and feathered. At this moment, Mrs. Perkins acknowledges that Hiram is her husband and all is forgiven as the Perkins family is reunited.