Hydrogène, la belle promesse

Windparks im Meer - Chance oder Risiko für die Natur?

Offshore wind farms are a major player in the move away from fossil fuels, especially in the North Sea, and they are increasing in number. But their impact on the environment is not yet clear: We take a look at ongoing research in Europe that is measuring the impact of wind turbines and their harm, or benefit, to biodiversity in our seas.

Jours d’après

In Isère, in the mountainous region of Trièves, is the Tournesol farm, an experiential farm totally autonomous in energy, a veritable laboratory for renewable energies. Jean-Philippe and his family live there from sheep farming and organic market gardening. But in September 2017, a violent fire destroyed the farm and its facilities. While the family has lost everything, a surge of solidarity is taking place so that the Tournesol farm is reborn from its ashes.

Revenge of the Electric Car

A sequel to 2006's Who Killed the Electric Car?, director Chris Paine once again looks at electric vehicles. Where in the last film electric cars were dismissed as uneconomical and unreliable, and were under multiple attacks from government, the auto industry, and from energy companies who didn't want them to succeed, this film chronicles, in the light of new changes in technology, the world economy, and the auto industry itself, the race - from both major car companies like Ford and Nissan, and from new rising upstarts like Tesla - to bring a practical consumer EV to market.

De l'eau dans le gasoil

Energia Rinnovabile

Alles auf Grün – Dieser Weg führt ins Morgen

20 years ago the small town of Wunsiedel was at the edge: businesses had to close, jobs were lost, locals left for good. When a bunch of idealists decided to stop this race to the bottom. They developed a plan not only to put the region's energy supply on a completely new foundation, but also to create new prospects.

Leben mit der Energiewende 3 - Selber machen

AUTARK - Leben mit der Energiewende 4

2040

A three year self-described labour of love, 2040 takes the form of a visual letter from the filmmaker to his four-year-old daughter Velvet, showing her what the year 2040 could look like “if we simply embraced the best solutions that exist today.”

Holy Shit

What happens to the food we digest after it leaves our body? Is it waste that is thrown away or a resource that can be reused? In search of answers, director Rubén Abruña embarks on an investigative and entertaining search through 16 cities on four continents. He follows the trail of feces from the long sewers of Paris to a huge sewage treatment plant in Chicago.

Leben mit der Energiewende - Der Film

L'éclosion low-tech

Osmosis

Brazilian mission commander Sam struggles with establishing a stable connection from Earth to his lover. German scientist Joy explores planet Kepler 452b at her research facility for Alchemy Plasma, a revolutionary energy source. Their long-distance relationship faces doom, when alien Dardesh invaders attack the human outpost, 1400 light years away.

Honor in the Valley of Tears

The story of A-Company 1/8 4th Infantry Division, US Army during the Vietnam War from 1965 to 1967. In the men's own words, through the stories they narrate, the film gives us insight into the time these men spent together and the bond they formed that remains unbroken to this day. The 4th Infantry Division is one of the only divisions that trained and retained its troops during the Vietnam War. The men of A-Company trained together for eleven months and served together for one year. Their story begins with basic training at Ft. Lewis Washington in 1965 and continues 40 years later at their last reunion in September 2007. Filming began September 27, 2007 in Houston, Texas during a reunion to honor First Sergeant David H. McNerney, who is the only living member of the 4th Infantry Division to receive the Congressional Medal of Honor. He was celebrated by the men he trained and served with and who's lives he saved on March 22, 1967.

Volt egyszer egy képregény

"Once Upon a Time in Hungarian Comics" provides a comprehensive picture of Hungarian comic culture, touching on the history of comics from the beginning to the present day, focusing on the development of Hungarian comics.

Report from Hollywood

“It may be worse than Portugal,” observes cinematographer Henri Alekan about a Los Angeles film lab while on the set of Wim Wenders’ The State of Things (1984). A legendary production and a transitional work for the New German Cinema director as his work became increasingly international, Wenders set out to make a film about filmmaking as funding stalled on the American production of Hammett. The State of Things deals with American and European sensibilities about cinema, and he enlisted Lachman to film and document the film being made in Los Angeles. Made for German television, completed in 1985 and unseen outside of Germany, Lachman’s portrait of Wenders at work features striking filmmaking and location photography of Los Angeles in the 1980s, and serves as a candid glimpse into European encounters with American culture at the time.

Sans soleil

A woman narrates the thoughts of a world traveler, meditations on time and memory expressed in words and images from places as far-flung as Japan, Guinea-Bissau, Iceland, and San Francisco.

Daybreak Express

Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soon-to-be-demolished Third Avenue elevated subway station in New York City.

West Side Stories

Two impressions of New York - a city of dreams or nightmares. The Outsider: Jonathan Miller 'If you enter New York in the first place in a show business context every time you return you have to justify your existence in show business terms. If you haven't got something to sell you become almost transparent...' The Insider: Patti Smith, poet, singer, actress. 'People come to New York to see the stars, but there ain't no stars in the sky. I lived in the city and I haven't seen a constellation since.'