The Sin By Which They Fell

After committing a gruesome act of violence, the fallen angel September reflects on their relationship with Rowan, the human who came to their aid.

The Mysteries

"In my film I suggest that there is no greater mystery than that of the protagonists. War and Love are simply equated for what they are; the aftermath is inevitable, and a normal human condition, for which like the ancients one can only have pity and understanding. In this lies the mystery. All else is irrelevant. That there are other sub-currents of equal power in The Mysteries goes without saying; and, those who are capable of the numerous visual visitations and annunciations which the film offers them will realize what is the Ultimate Mystery of my work."

Iñigo

The first step is taken inward and in silence.

Nura

Nura is determined to live her life to the full, despite a future without her eyesight.

Circle

This short film follows a man lost in the woods driven by his fear of the unknown.

Flux

Samantha is an 18-year-old girl who, in the middle of a move, experiences a flashback of memories and is reunited with her imaginary childhood friend, Flux. Between waves and cardboard boxes, she passes the farewell with herself, with what surrounds her and with the tide.

Mutations

“The changing dots, ectoplasmic shapes and electronic music of L. Schwartz’s ‘Mutations’ which has been shot with the aid of computers and lasers, makes for an eye-catching view of the potentials of the new techniques.” – A. H. Weiler, N. Y. Times

Immortal

Three unlikely individuals attempt to escape the dark prison known as "The Void."

Billy Boy

A former football star turned real estate broker meets with rich, spoiled young Billy to close a deal on a mansion, and nothing goes according to plan.

Preface to a History

A couple, Vlad and Sophy, navigate their relationship as well as their own struggles with mental health in the context of a highly connected, politically uncertain modern world while on a trip to a remote Canadian island in this avant-garde feature film. PREFACE TO A HISTORY, created with a tiny crew of four people, represents an experiment in using minimalist tools to create an overwhelming aesthetic experience in service of a simple, but specifically contemporary, story about two people attempting to navigate a fraying relationship amid all the anxieties and external pressures of modern adulthood in a technologically-interconnected and politically unstable era.

The Love of Zero

While playing his trombone one Sunday, the enthusiastic Zero sees Beatrix and falls in love. He returns the next week to express his feelings, and it's mutual. Over the next few months, they spoon, kiss, and find happiness. Then, she receives a letter from Kabul, demanding that she return to the palace of the Grand Vizier. The lovers part, heartbroken. Zero tries expressing himself to a woman on the street. He meets derision. Then, news of Beatrix. Does this romance end in smiles or tears?

Heaven and Earth Magic

The first part depicts the heroine's toothache consequent to the loss of a very valuable watermelon, her dentistry and transportation to heaven. Next follows an elaborate exposition of the heavenly land, in terms of Israel and Montreal. The second part depicts the return to Earth from being eaten by Max Müller on the day Edward VII dedicated the Great Sewer of London.

Fine

After a period of time where her hearing begins to overtake her sight, Casandra searches for the cause of her problem, isolating herself from society. She starts having visions that remind her of the past and promise an apocalyptic future.

Abstronic

A pioneer of visual music and electronic art, Mary Ellen Bute produced over a dozen short abstract animations between the 1930s and the 1950s. Set to classical music by the likes of Bach, Saint-Saëns, and Shoshtakovich, and replete with rapidly mutating geometries, Bute’s filmmaking is at once formally rigorous and energetically high-spirited, like a marriage of high modernism and Merrie Melodies. In the late 1940s, Lewis Jacobs observed that Bute’s films were “composed upon mathematical formulae depicting in ever-changing lights and shadows, growing lines and forms, deepening colors and tones, the tumbling, racing impressions evoked by the musical accompaniment.” Bute herself wrote that she sought to “bring to the eyes a combination of visual forms unfolding along with the thematic development and rhythmic cadences of music.”

ANA C.

ANA C. uses videoart and videoperformance to express the relationship between the marginalized poet Ana Cristina Cesar with art itself.

Self Portraits or: How to talk endearingly to possible victims

Quinn is a grade school teacher who is exploited by a group of memoryless individuals who reeducate his long-term partner Amy.

New Old

"Chronicles of the Present Times" - An experimental trilogy. New Old flows together footage from more than a decade of his wandering between scenes, sets, and drugs, an accelerated world tour through various iterations of the counterculture.

PRÓXIMO!

Munchsferatu

Munchsferatu is a painter who has become a vampire by living only for his art. An experimental narrative mashup film with David Bowie, Gérard Depardieu, Christina Hendricks and Josiane Balasko.