Frenel

A Short film about a contemporary milliner in NYC.

Encierro de toros

Cricket

Through the pattern of this film a ‘Test’ at Lord’s runs like a thread and a broadcast commentary on the match is imposed on the background of cricket as a game, a craft, an interest of a people, a piece of history. The craftsmen are shown who make the ball and the bat–that ‘fourth straight stick’ with which the batsmen defend ‘the other three’. The craftsmen are shown who play the game, from W. G. Grace in the ‘nets’ to D. G. Bradman and Denis Compton in the thread of the ‘Test’. The history of the game is epitomized in the Long Room shots at Lord’s and from there the camera moves to the village green; to the London side- street where the urchins play on a ‘bumping pitch’; to South Africa, and India, where in the ‘blinding light’ there is often ‘an hour to play and the last man in.

The Illusion

Susana Barriga’s documentary, the illusion, begins with violence. A long shot reveals a man standing on a street corner, his features indiscernible in the night. He moves out of the camera’s line of vision, but the filmmaker, persistent, moves with him as the jostling of the camera marks her steps. As we learn moments later, the man in the distance is Susana’s father – and this is the clearest image of him we will have. Suddenly, an angry British man demands that Susana cease filming. Susana protests in heavily accented English, “He is my father!” Glimpses of a man’s torso are followed by blurred images as the camera spins rapidly over surfaces. The image cuts to black. A new male voice asks in carefully spaced out words if Susana would like him to call the police. When she doesn’t respond immediately, he speaks louder, as though volume would compensate for the language difference. She gives her name; she refuses the offer of an ambulance.

Take Us Home

For two years the filmmakers followed Royal Antwerp FC closely, recording how the 'Great Old' fought its way back to the highest soccer league after more than 12 years. A film about hope and disillusionment, sadness and euphoria of a soccer club with a loyal and fanatical legion of supporters.

ESPN Legends of Cricket - Volume 2

ESPN’s LEGENDS OF CRICKET journeys through the ages to profile the greatest individuals to have ever taken up the bat and ball. Chosen by an expert panel of their peers, this fascinating and seminal series explores the remarkable abilities of the chosen few who have truly transcended the game. From Sir Donald Bradman’s unrivalled mastery of the willow and Share Warne’s wizardry with the ball, to the poise and balance of Sachin Tendulkar, the swagger of Sir Garfield Sobers and Viv Richards and the sheer grit and determination embodied by Allan Border and Steve Waugh, this series offers rare insight into the celebrated careers of cricket’s 25 greatest champions. Featuring wonderful archival footage and in-depth interviews with leading players and commentators, ESPN’S Legends of Cricket shines a light on the enduring legends of our summer game

ESPN Legends of Cricket - Volume 6

ESPN’s LEGENDS OF CRICKET journeys through the ages to profile the greatest individuals to have ever taken up the bat and ball. Chosen by an expert panel of their peers, this fascinating and seminal series explores the remarkable abilities of the chosen few who have truly transcended the game. From Sir Donald Bradman’s unrivalled mastery of the willow and Share Warne’s wizardry with the ball, to the poise and balance of Sachin Tendulkar, the swagger of Sir Garfield Sobers and Viv Richards and the sheer grit and determination embodied by Allan Border and Steve Waugh, this series offers rare insight into the celebrated careers of cricket’s 25 greatest champions. Featuring wonderful archival footage and in-depth interviews with leading players and commentators, ESPN’S Legends of Cricket shines a light on the enduring legends of our summer game.

World of Plenty

An opening narration explaining that the film's purpose is to examine the "world strategy of food", in terms of its production, distribution and consumption. The film is then divided into three parts: "Food - As It Was", "Food - As It Is" and "Food - As It Might Be".

First Ascent

The classic film that inspired the National Geographic Series. Join a global quest with world-class climbers in pursuit of the ultimate goal: the first ascent. Featuring Dean Potter, Timmy O'Neill, Sonnie Trotter, and the amazing Didier Berthod on his quest for the first ascent of the Cobra Crack.

The Players

The Players are the best American athletes of the modern rock-climbing era. Dave Graham, Chris Sharma, Emily Harrington, Daniel Woods, Lisa Rands, Joe Kinder, Alex Puccio, Chris Lindner, and Ethan Pringle each embody the progression of their sport. This showcase of action-packed HD footage reveals each player’s ability to make climbing at the pinnacle of their sport a daily routine. Featuring all disciplines of climbing, this is your chance to witness the swagger behind each players' style and explore the lifestyles they are pioneering all across the globe.

On Any Sunday: The Next Chapter

On Any Sunday, The Next Chapter” is an exploration into the two-wheeled world of motorcycle riding. The film journeys deeper into the humanity, thrills and excitement behind the global culture of motorcycle riding. We meet those who are bonded by their passion for the race, we experience the exhilaration of the ride and we witness the love of family and friendship as each individual seeks out their next thrilling moment on the bike.

Nfinity Champions League Cheerleading Event

Driven by dedication, sacrifice and raw talent, 30 elite cheerleading teams compete to become the sport's ultimate champion.

Deutschland. Ein Sommermärchen

A documentary of the German national soccer team’s 2006 World Cup experience that changed the face of modern Germany.

Daybreak Express

Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soon-to-be-demolished Third Avenue elevated subway station in New York City.

New Horizons

A brief visualisation of NASA’s historic spacecrafts Mariner, Pioneer, Voyager, and Dawn, exploring the solar system, culminating in the New Horizons mission.

Have We Met Before?

Short docudrama exploring the history of sex in the homosexual community from the 1970s to the present day, and how the internet has changed the way gay men meet forever.

Nanook of the North

This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.

Olympia - Fest der Völker

Starting with a long and lyrical overture, evoking the origins of the Olympic Games in ancient Greece, Riefenstahl covers twenty-one athletic events in the first half of this two-part love letter to the human body and spirit, culminating with the marathon, where Jesse Owens became the first track and field athlete to win four gold medals in a single Olympics.

Olympia - Fest der Schönheit

Part two of Leni Riefenstahl's monumental examination of the 1938 Olympic Games, the cameras leave the main stadium and venture into the many halls and fields deployed for such sports as fencing, polo, cycling, and the modern pentathlon, which was won by American Glenn Morris.

La Sortie de l'usine Lumière à Lyon

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.