Lindsey Stirling: Brave Enough

Beginning on the eve of her thirtieth birthday, “Brave Enough,” documents violinist Lindsey Stirling over the past year as she comes to terms with the most challenging & traumatic events of her life. Through her art, she seeks to share a message of hope and courage and yet she must ask herself the question, “Am I Brave Enough?” Capturing her personal obstacles and breakthrough moments during the “Brave Enough,” tour, the film presents an intimate look at this one-of- a-kind artist and her spectacular live performances inspired by real-life heartbreak, joy, and love.

Rocking '83 - Bear's Jam

An incredible historic document showcasing the roots of Old School Hip Hop movement with all its disciplines involved: Djing, Mcing, Breakdancing, and Graffiti. Featured in the "NYC: Urban Image" show at MoMA PS1 1983.

Keyboard Fantasies

As a sci-fi obsessed woman living in near isolation, Beverly Glenn-Copeland wrote and self-released Keyboard Fantasies in Huntsville, Ontario back in 1986. Recorded in an Atari-powered home-studio, the cassette featured seven tracks of a curious folk-electronica hybrid, a sound realized far before its time. Three decades on, the musician – now Glenn Copeland – began to receive emails from people across the world, thanking him for the music they’d recently discovered.

OHM+: The Early Gurus Of Electronic Music : 1948–1980

Over two hours of rare performances, interviews, animations, and experimental video. Milton Babbit’s discussion of the difficulties of working with archaic synthesizers in the Columbia-Princeton Electronic Music Center in the 1950s and ’60s is a firm reminder of just how foreign electronic sounds were to even the academic community only 40 years ago. Likewise, Paul Lansky’s private lesson with theremin inventor Leon Theremin is an example of how non-user friendly electronic musical instruments could be, even to people who should have the best sense of how to approach them.

Björk: Minuscule

This documentary offers a behind-the-scenes look at Björk and her touring entourage for the 2001 Vespertine tour. It includes interviews with harpist Zeena Parkins, the Inuit choir from Greenland, electronic duo Matmos, and an ongoing conversation with Björk herself about her recordings and her tours. The documentary is interspersed with live footage of songs from the tour shot by Ragnheidur Gestsdóttir, which themselves correspond to the performances chosen for the Vespertine Live album.

What We Started

Bert Marcus and Cyrus Saidi present an informed and absorbing exploration of the history of EDM, boosted by an energetic soundtrack and anchored by the personal stories of legendary DJ Carl Cox and superstar newcomer Martin Garrix. Insights from numerous other DJs and musical talents like Moby, David Guetta, Paul Oakenfold and Usher help tell the often oppositional tales of old school vs. new school and mainstream vs. underground.

Sisters with Transistors

Think of early electronic music and you’ll likely see men pushing buttons, knobs, and boundaries. While electronic music is often perceived as a boys' club, the truth is that from the very beginning women have been integral in inventing the devices, techniques and tropes that would define the shape of sound for years to come.

On The Go - Repeat Offender

Hip-Hop Culture and Graffiti Video Magazine

K oblakům vzhlížíme

A gentle love story from the harsh environment of northern Bohemia.

JAPlan

A portrait of the German electronic band "Der Plan". Büld follows the band on their tour through Japan.

Scotland the Rave

Best-selling author Graeme Armstrong reveals his passion for rave, meeting some of the superstar DJs and hardcore party people who created the vibrant and little-explored world of the Scottish rave scene.

Rytíři Bastlíři

Jungle Mania

This work by indie filmmaker Ikon documents 20 Years of Jungle Mania, a rave held on 6 April 2013 at the Coronet Theatre in London. The event celebrated and commemorated 20 years of drum and bass music in London dance culture. In addition to coverage of the live performances and the crowd, the film features interviews with reknowned drum and bass DJs and producers who performed that night.

I Am Sitting in a Room

I am sitting in a room is a sound art piece by American composer and sound artist Alvin Lucier composed in 1969. The first performance of the work was in 1970 at the Guggenheim Museum in New York. In collaboration with his partner Mary Lucier. The piece features Lucier recording himself narrating a text, and then playing the tape recording back into the room while re-recording it. The new recording is then played back and re-recorded, and this process is repeated. Due to the room's particular size and geometry, certain resonant frequencies are emphasized while others are attenuated. Eventually the words become unintelligible, replaced by the characteristic resonance of the room.

Loveparade - Als die Liebe tanzen lernte

At the end of the Cold War, something new arised that should influence an entire generation and express their attitude to life. It started with an idea in the underground subculture of Berlin shortly before the fall of the Wall. With the motto "Peace, Joy, Pancakes", Club DJ Dr. Motte and companions launched the first Love Parade. A procession registered as political demonstration with only 150 colorfully dressed people dancing to house and techno. What started out small developed over the years into the largest party on the planet with visitors from all over the world. In 1999, 1.5 million people took part. With the help of interviews with important organizers and contemporary witnesses, the documentary reflects the history of the Love Parade, but also illuminates the dark side of how commerce and money business increasingly destroyed the real spirit, long before the emigration to other cities and the Love Parade disaster of Duisburg in 2010, which caused an era to end in deep grief.

Favela Bolada

For 20 years, a subculture has emerged in Brazil under society's radar. It is the culture surrounding 'funk carioca', a musical rhythm which mixes the American electronic funk of the 1980s with the most diverse influences of Brazilian music. 'Baile funk' is one of the most interesting musical movements in the world, but it comes from what is at times one of the most violent and poorest places in the world: the slums of Rio de Janeiro (favelas). This music is the personalization of the raw element. Bombastic rhythms coming from the American Miami Bass and samples are fused with powerful rap vocals using Brazilian slang. This documentary tells stories of sex, love, poverty, and pride among Rio's marginalized people. They have their own language, style, and heroes. It's a film that's fast, heavy, and violent like the city itself.

Avicii - I'm Tim

Before Avicii, there was Tim. Through his own words, witness how a prodigious musical talent became one of the defining artists of his generation.

Deconstructing Dad: The Music, Machines and Mystery of Raymond Scott

His filmmaker son probes the professional and private lives of his remote but fascinating father: bandleader, composer, inventor, and electronic music pioneer Raymond Scott.

Kraftwerk and the Electronic Revolution

Kraftwerk's vision of a keyboard-driven world of clicking metronomic rhythms and digitised sound bites may have been the stuff of avant fantasy in the 1970s (the decade that saw the band's first groundbreaking albums), but it is a reality in the new millennium. Their visionary style is explored in KRAFTWERK AND THE ELECTRONIC REVOLUTION, a study of the group, their career and their emergence as the most influential electronic band in the world.

Gabbers!