Homem com H

From a repressive childhood to artistic revolution, Ney Matogrosso transforms Brazil's stages — and himself — through music, creativity and inner fire. The movie displays briefly one of the greatest controversies surrounding Ney Matogrosso, accused of copying the rock band Kiss. It's actually the other way around. Secos & Molhados was officially formed in 1971, though the band was performing together since the late 60s and was already known for their make-up. KISS came around years later, in 1973.

A História da Eternidade

In a small village in the hinterland, three stories of love and desire are changing the emotional landscape of its residents. Characters of a romanesque world in which their conceptions of life are limited on one side by human instincts, on the other by a blind and fatalist fate.

Gal Fa-Tal

Shot in 1971 during Gal Costa's famous concert "Gal Fa-tal" in Rio de Janeiro's Sucata Nightclub, Ivan Cardoso's eponymous Super-8 short film shows the singer both in and off stage, interlapsed with scenes from Cardoso's "Nosferato no Brasil".

Gal Costa: Estratosférica – Ao Vivo

"Estratosférica ao Vivo" is not just the record of a Gal Costa show. It is the portrait of the artist reaching the 70 years of life, 50 of them dedicated to music. The show "Estratosférica" ​​crowns the new artistic phase of Gal, more and more interested in connecting several tips of the history of the music of Brazil, joining the composers of its generation to names of the new national scene. The script, created by Marcus Black, was very good at this idea. Sewing songs by Caetano Veloso, Tom Zé, Luiz Melodia, Jards Macalé and Waly Salomão, Carlos Pinto and Torquato Neto, Roberto and Erasmo Carlos - a series of tropicalist and post-tropicalist works that until now serve as reference and feed the new generations of music.

Tribalistas

Tribalistas were a short-lived but popular brazilian musical trio consisting of Marisa Monte, Arnaldo Antunes and Carlinhos Brown. Their one-off collaboration resulted in the popular album Tribalistas, released in Brazil in late 2002 by EMI and in international territories in 2003. The album attained considerable popularity despite the group never performing any song on TV or giving any radio interviews. A DVD release featuring the 'making of' and all the tracks on the album was also released internationally. The song "Já Sei Namorar" was featured on the video game FIFA Football 2004 and the song "Velha Infancia" was used in a soap opera in Brazil called "Mulheres Apaixonadas" as its main theme.

Sexo é Bom

Aqui Favela, o Rap Representa

Ritas

It explores Rita Lee's personal life and her creative process, revealing her musical talent and her ability to transform on stage. Rita herself guides the narrative through past interviews she gave throughout her career and current testimonies.

Abraçar e Agradecer

Celebrating 50 years of her career, Maria Bethânia filmed in Brazil in 2105 the show Abraçar e Agradecer, which now comes out on CD and DVD.

Ivete Sangalo Ao Vivo Rock In Rio

O Trabalho de João Miguel

The character Jonh Michael embarks on a journey to tell you everything about Tim Maia.

Favela Bolada

For 20 years, a subculture has emerged in Brazil under society's radar. It is the culture surrounding 'funk carioca', a musical rhythm which mixes the American electronic funk of the 1980s with the most diverse influences of Brazilian music. 'Baile funk' is one of the most interesting musical movements in the world, but it comes from what is at times one of the most violent and poorest places in the world: the slums of Rio de Janeiro (favelas). This music is the personalization of the raw element. Bombastic rhythms coming from the American Miami Bass and samples are fused with powerful rap vocals using Brazilian slang. This documentary tells stories of sex, love, poverty, and pride among Rio's marginalized people. They have their own language, style, and heroes. It's a film that's fast, heavy, and violent like the city itself.

Luiz Melodia - No Coração do Brasil

A sound and visual journey that portrays the life and work of singer and composer Luiz Melodia. The Poet of Estácio himself tells us, in the first person, his trajectory as a black boy born on the hill until his transformation into one of the greatest artists in the history of MPB. The film also features an unpublished collection made available by Jane Reis, his wife and businesswoman.

Lobão – Não Há Estilo Sem Fracasso

"Lobão - Não Há Estilo Sem Fracasso" investigates the artistic career of Lobão, one of the most famous musicians of brazilian rock in the 80s. From some interviews with people such as Edgard Scandurra, Liminha and Marcelo Sussekind, this short movie shows various points of view about music industry and it presents hits of Lobão such as "Das Tripas Coração" and "Mal de Amor".

Badi

The personal trajectory and the international career of the singer, guitarist, and composer Badi Assad.

Tropicália: 50 Anos

Maria Bethânia e Zeca Pagodinho: De Santo Amaro a Xerém

2 Filhos de Francisco

The story of Francisco, a very simple and poor man whose dream was to see his children become country music stars, and who made all the efforts to make it happen.

Sérgio Ricardo: Uma Outra História do Cinema Novo

Festive Land: Carnival in Bahia

Festive Land examines one of the largest and most extraordinary popular celebrations in the world, the week-long Carnival that brings more than two million people to the streets of Salvador, the capital of Bahia, in northeastern Brazil. Carnival is the most expressive showcase of the unique cultural richness of Bahia, where African culture has survived, prospered, and evolved, mixing with other Brazilian influences to create forms found nowhere else in the world. The film captures this unique cultural energy through extraordinary footage of musical performances, dances, religious manifestations, and street celebrations. At the same time, Carnival reflects the racial and social tensions of Brazil's heterogeneous society. At first glance there appear to be two million people chaotically mixed on the streets, but a more detailed look reveals how patterns of segregation driven by racial, social and economic differences continue in Carnival.