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Art, auctions, huge valuations of individual works, a market full of enigmas. The inaccessibility of the art world and its business mechanisms, incomprehensible to many, have always worked on the imagination. However, the incredible growth of interest in buying art in Poland over the past few means that the curtain of mysticism must be slowly falling. A look at the Polish art market, which with the political transformation has changed from a marginal and obscure curio to a modern, professional machine, opening for some artists of the youngest generation the gates of success inaccessible to their predecessors.

Magic on a Stick

This MGM Passing Parade series short recounts how English chemist John Walker invented the wooden friction match during the 1820s.

Young Picasso

Pablo Picasso is one of the greatest artists of all time - and right up until his death in 1973 he was the most prolific of artists. Many films have dealt with these later years - the art, the affairs and the wide circle of friends. But where did this all begin? What made Picasso in the first place? Too long ignored, it is time to look at the early years of Picasso; the upbringing and the learning that led to his extraordinary achievements.

Peggy Guggenheim: Art Addict

Bouncing between Europe and the United States as often as she would between lovers, Peggy Guggenheim’s life was as swirling as the design of her uncle’s museum, and reads more like fiction than any reality imaginable. Peggy Guggenheim – Art Addict offers a rare look into Guggenheim’s world: blending the abstract, the colorful, the surreal and the salacious, to portray a life that was as complex and unpredictable as the artwork Peggy revered and the artists she pushed forward.

Centre Pompidou: Ceci n'est pas un musée

A documentary about one of the most popular cultural venues in the world and one of the most visited monuments in France—the Centre Pompidou

Volker Bradke

As the only work in this medium by Richter, the film was created for the exhibition Volker Bradke that took place on 13th December 1966 at Galerie Schmela in Düsseldorf. For the purpose of this exhibition, Gerhard Richter addressed the person Volker Bradke in different mediums. In addition to photographs, a banner and a large-scale painting Volker Bradke [CR: 133], the film had been screened. Richter transferred one of the stylistic features of his paintings of that time into film: the blurring.

Portrait: Gerald Squires of Newfoundland

Newfoundland painter Gerald Squires has referred to his portraits as "confrontations," though not intending the hostility that word can convey. This film shows a meeting between the artist and Edythe Goodridge, art curator and critic. Through a combination of Squires's reflections on his life and work and the good-natured banter of these two friends, an intimate portrait evolves of the artist and his subject.

Visite à Hokusai

A look at the work of Japanese woodblock printing artist Katsushika Hokusai (1760-1849).

The Warhol Effect

Lifting the lid on the fascinating last decade of Andy Warhol's life and the legacy he left for future artists, through never-before-seen footage and interviews with insiders.

PHOENIX

Citizen Lane

Citizen Lane is an innovative mix of documentary and drama that delivers a vivid and compelling portrait of Hugh Lane, one of the most fascinating and yet enigmatic figures in modern Irish history. A man of multiple contradictions, by turns infuriatingly parsimonious or extraordinarily generous, a professed nationalist and a knight of the realm; a monumental snob and a fearless campaigner for access to the arts.

Very Semi-Serious

The New Yorker is the benchmark for the single-panel cartoon. This light-hearted and sometimes poignant look at the art and humor of the iconic drawings shows why they have inspired and even baffled us for decades. Very Semi-Serious is a window into the minds of cartooning legends and hopefuls, including editor Bob Mankoff, shedding light onto how their humor evolves.

The Hidden Master

Shows how important luck can be in a person's life.

Spirit/Will/Loss

Sculptor/painter Katie Dallam entered the boxing ring for her first professional fight and, 140 blows to the head later, suffered major brain damage. (Her life became the basis for the movie Million Dollar Baby). Irish musician Graham Sharpe’s career was on the rise when advancing tinnitus caused a ringing in his ears so bad that it put an end to his rock-and-roll dreams. Sculptor Alice Wingwall experienced complete loss of sight from a degenerative eye disease. Game over for these three, right? Not so fast. Each managed to struggle, innovate, and, ultimately, through their art, transform themselves into someone new.

The Big Wheel

During the 1980 exhibition of Burden's monumental kinetic sculpture The Big Wheel at Ronald Feldman Fine Arts, New York, Burden and Feldman were interviewed by art critic Willoughby Sharp. Burden articulates the process of creating The Big Wheel, a 6,000-pound, spinning cast-iron flywheel that is initially powered by a motorcycle, and discusses its relation to his earlier performance pieces and sculptural works. Addressing his motivations and the meaning of this potentially dangerous mechanical art object, Burden discusses such topics as the role of the artist in the industrial world, "personal insanity and mass insanity," and "man's propensity towards violence."

The Leunig Fragments

With an anarchic and life-affirming heart, this documentary feature celebrates self-expression, friendship, life and death, and the power of the imagination to ignite, enrage, heal and inspire. With exclusive, intimate access to Michael Leunig - one of Australia’s most renowned artists - we reveal the man behind the household name.

نصر الدين ديني

Étienne Dinet (إتيان دينيه), born March 28, 1861 in Paris, where he died on December 24, 1929, was a French painter and lithographer. He was one of the leading representatives of Orientalist painting at the turn of the 19th and 20th centuries. Obtaining a scholarship in 1884, Dinet undertook his first trip to southern Algeria in the region of Bou-Saâda, the Naili culture having a profound impact on him, as he would return there many times until he settled in his first Algerian studio in Biskra in 1900. In 1905, he bought a house in Bou-Saâda to spend three-quarters of the year there. In 1907, on his advice, the Villa Abd-el-Tif was created in Algiers, modeled on the Villa Medici in Rome. Having lived much of his life in Algeria, he called himself Nasreddine Dinet (نصر الدين ديني) after converting to Islam. On January 12, 1930, he was buried in the Bou-Saâda cemetery, where a museum that houses many of his works bears his name.

George

In 1961 Lithuanian American artist and impresario George Maciunas established the avant-garde art movement Fluxus. George details the rise of Fluxus following a sensationalized tour of “concerts” in Europe in 1962, and continuing in New York for most of the 1960s and ’70s. During this time Maciunas was converting the dying industrial buildings of Soho into a network of artists’ lofts, creating one of the first official real estate co-ops of artist-owned buildings. Maciunas’s life and legacy—as recounted by artists of his generation, including Yoko Ono and Jonas Mekas—ignited debates that remain pivotal to artists working today.

Caravaggio - L'anima e il sangue

An exciting and unsettling cinematic journey through the life, work and torments of Caravaggio.

The Ballad of Sexual Dependency

Nan Goldin's slide show “The Ballad of Sexual Dependency” converted, mixed and screened as a film by the artist, portraying the American underground culture, the no wave scene, post-Stonewall gay subculture, among others.