Day Dreams and the Problems of Missing Film

Documentary on Day Dreams (1922), a Buster Keaton silent comedy.

Au cimetière de la pellicule

Thierno Souleymane Diallo sets out with his camera in search of the birth of filmmaking in Guinea. Charming and determined, he traces his country’s film heritage and history and reveals the importance of film archives.

Rescuing a Fantasy Classic

A comprehensive and fascinating behind-the-scenes look at the restoration process of restoring 3-strip Cinerama for the 1962 film "The Wonderful World of the Brothers Grimm".

Metropolis refundada

Argentinian film historians find a complete print of Fritz Lang's “Metropolis” (1927) at Buenos Aires Film Museum and take it to Germany for its restoration.

Forgotten Treasure

This John Nesbitt's Passing Parade series short highlights the film preservation efforts of the Museum of Modern Art in New York. Several scenes from early newsreels are shown.

These Amazing Shadows

Tells the history and importance of The National Film Registry, a roll call of American cinema treasures that reflects the diversity of film, and indeed the American experience itself.

The Film That Was Lost

In this John Nesbitt's Passing Parade short, a look is taken at the problems of film preservation efforts in the 1930s and early 1940s.

The Bannfoot Ferry

A forgotten history of Northern Ireland is unveiled through a journey into Ulster Television’s archives, and the rediscovery of the first locally-produced network drama, Boatman Do Not Tarry.

Fragments: Surviving Pieces of Lost Films

Among the pieces featured in Fragments are the final reel of John Ford's The Village Blacksmith (1922) and a glimpse at Emil Jannings in The Way of All Flesh (1927), the only Oscar®-winning performance in a lost film. Fragments also features clips from such lost films as Cleopatra (1917), starring Theda Bara; The Miracle Man (1919), with Lon Chaney; He Comes Up Smiling (1918), starring Douglas Fairbanks; an early lost sound film, Gold Diggers of Broadway (1929), filmed in early Technicolor, and the only color footage of silent star Clara Bow, Red Hair (1928). The program is rounded out with interviews of film preservationists involved in identifying and restoring these films. Also featured is a new interview with Diana Serra Cary, best known as "Baby Peggy", one of the major American child stars of the silent era, who discusses one of the featured fragments, Darling of New York (1923).

Film: The Living Record of Our Memory

Why are we still able, today, to view images that were captured over 125 years ago? As we enter the digital age, audiovisual heritage seems to be a sure and obvious fact. However, much of cinema and our filmed history has been lost forever. Archivists, technicians and filmmakers from different parts of the world explain what audiovisual preservation is and why it is necessary. The documentary is a tribute to all these professionals and their important work.

Tudo Por Amor ao Cinema

A documentary on Cosme Alves Netto (1937-1996), former head of the Cinematheque of the Museum of Modern Arts at Rio de Janeiro.

Gaumont Treasures 1897-1913

A 3 Part Collection of More Than 75 Early Films by Alice Guy, Louis Feuillade and Léonce Perret. The invention of cinema—and its growth into a sophisticated art form—are vividly brought to life in this massive collection of films from the early years of the influential Gaumont Film Company. Each disc is devoted to one of Gaumont’s artistic directors, who oversaw all film production at the studio, and profoundly influenced not only the identity of the studio but also the evolution of the cinema itself.

Finding Vivian Maier

Vivian Maier's photos were seemingly destined for obscurity, lost among the clutter of the countless objects she'd collected throughout her life. Instead these images have shaken the world of street photography and irrevocably changed the life of the man who brought them to the public eye. This film brings to life the interesting turns and travails of the improbable saga of John Maloof's discovery of Vivian Maier, unravelling this mysterious tale through her documentary films, photographs, odd collections and personal accounts from the people that knew her. What started as a blog to show her work quickly became a viral sensation in the photography world. Photos destined for the trash heap now line gallery exhibitions, a forthcoming book and this documentary film.

Against the Grain

A glimpse at how genre film-focused home video companies have taken the charge in preserving, restoring, and releasing so many works which otherwise might have been lost to time.

Celluloid Man

Indian documentary about Indian film history and P. K. Nair, the founder of the National Film Archive of India and guardian of Indian cinema. He built the archive can by can in a country where the archiving of cinema was considered unimportant.

Ang Pagbabalik ng Ibong Adarna

"Ang Pagbabalik ng Ibong Adarna,” looks into our lost film history and the fight to restore and protect films for the future generations. It focuses on “Ibong Adarna,” one of only six surviving pre-war Filipino movies and the first Filipino film partially made with color. Jeff also follows the story of Mila, one of the movie queens during the golden age of Philippine Cinema, who passionately fought to protect the industry she loved.

Cinemateca Potiguar: Dez Anos de Memórias

The Paleface... And Other Titles

A discussion on restoring title cards to English from foreign source prints.

Grain: Analog Renaissance

Today, the art world and beyond is obsessed with shooting analog. Whether it's a fashion house seeking to bring a new edge to their creative work, an amateur perusing eBay for the perfect vintage Polaroid, or an influencer attempting to capture a comforting retro aesthetic on social media, analog photography has piqued the interest of people everywhere. Is this resurgence a backlash against digital photography? Is it just a trend perpetuated by our desire for authenticity in an increasingly superficial world? Or is it something else entirely? Grain: Analog Renaissance is a documentary by Alex Contell and Tommaso Sacconi that explores the stories of those committed to using film in modern day photography.

Augusto San Miguel Ha Muerto Ayer

During the 1920's, Augusto San Miguel (1905-1937) directed, produced and starred in the first feature films made in Ecuador. Unfortunately, San Miguel's films -like many episodes of his life- disappeared in time. The only remains are the movie ads on old newspapers and a mysterious legend, by which San Miguel was buried with his films.