Wallpaper

Memória em Verde e Rosa

The Mangueira slum is the scenario where Tantinho and the old samba composers remember stories about the slums and samba.

The White Stripes: Under Blackpool Lights

Concert footage of The White Stripes recorded in January of 2004, featuring tracks from the band's four studio albums as well as live favorites like the Dolly Parton cover "Jolene"

Nao ’t Zuuje

Lohengrin

A short experimental film shot on Super 8, inspired by the music of Richard Wagner.

Deixa O Samba Me Levar

Reality 86'd

Three bands and crew (a combined total of 13 individuals), 2 Dodge Ram extended cab vans, one equipment truck, one PA system traverse the continental US for six months. A road documentary shot from the inside of the last Black Flag tour ever (the 1986 “In My Head” US tour.) Featuring behind the scenes proceedings and live performances from Black Flag, Painted Willie, and Gone. David Markey was along for the entire trip as the drummer / singer for Painted Willie, documenting the six month tour with his Super-8 camera as it happened. Also features roadie Joe (“Planet Joe”) Cole, soundmen Davo Claasen and Dave “Ratman” Levine, and the tour manager who kept it all together, Mitch Bury. A crucial turning point in American underground rock. The end of the line for a trail blazing American band. Shot in 1986 and completed by director David Markey in 1991 for We Got Power. (futuristika.org)

Sou Carnaval de São Salvador

Acústico MTV: Lenine

Recorded at Auditório Ibirapuera in Sao Paulo , on 24 and 25 June 2006 , the album features the biggest hits singer-songwriter Lenine's career such as "Paciência" (Patience), "Jack Soul Brasileiro" (Since I am Brazilian), "Na Pressão" (On The Pressure), "A Rede" (The Net), "Hoje Eu Quero Sair Só" (I Want Go Out Alone, Today) and "A Medida da Paixão" (The Measure of Passion), plus new songs like "Tudo Por Acaso" (All By Chance). The album features special participations from musicians such as the Chilean Victor Astorga (the first English horn soloist with the Brazilian Symphony Orchestra), Cameroonian bassist and singer Richard Bona, Mexican singer Julieta Venegas, harpist Cristina Braga, the rapper Gog, and drummer Iggor Cavalera (ex-member of Sepultura). The DVD includes bonus material, plus making-of scenes, reviews, testimonials about the project, the guests and also footage of the 2006 World Cup, since the performance was recorded concurrently with it.

O Mundo de Arlindo

The documentary talks a little about the carnival experience that Arlindo Rodrigues had during his more than 25 years of artistic life.

Carnaval de Malmédy

Short silent documentary on Carnaval at Malmédy, Belgium.

Los pueblos dormidos (por la Quebrada de Humahuaca)

Documentary about the kolla people living in North Western Argentina.

Carnaval Claudia Leitte: We Can Do It!

O Rap do Pequeno Príncipe Contra as Almas Sebosas

A documentary that focuses on two young male inhabitants of Recife (statistically, the fourth worst city in the world to live in) who have both reacted strongly to their situation. One has become a drummer in a rap/rock band. The other has killed forty-four people and is now in jail. Both use the term "Wicked Souls" to describe their enemies.

We Were the Scenery

In 1975, soon after the end of the Vietnam War, Hoa Thi Le and Hue Nguyen Che fled the country on a small boat. After nine days at sea, they docked in the Philippines, where they were utilized as background extras for “Apocalypse Now.”

A Raça Síntese de Joãosinho Trinta

Filhos de João, O Admirável Mundo Novo Baiano

A panorama of Brazilian popular music from the 60s and 70s through the musical group Novos Baianos. A retrospective of the community lifestyle adopted by its members and the influence inherited from singer João Gilberto.

A Little Regret in Helsinki

A Chinese girl returns home to Helsinki, with a desire to reassess her feelings about home, perfection, friendship, and regret. A tender dialogue is raised between father and daughter.

Así Pasó

O Carnaval é de Pelé

This short film follows Pelé, a retired nurse who looks back on his time as a Mateus in the century-old Bumba Meu Boi group, Boi Tira-Teima. As he builds a new boi for the festival, he revisits the defining moments of his journey as a performer, carnival artist, and son of Mestre Gerson, the group’s former patriarch. The film explores how the way we carry our memories of the past shapes who we become in the present.