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To wait or provoke

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2018

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Discusses the squatters movement, made up of people who live in abandoned houses through necessity and in order to force change in housing policy. Focuses on Philadelphia, where Gloria Giles becomes a leader and gains a national reputation.

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This documentary traces the history of Knust, an independent printing press based in Nijmegen that is regarded as one of the pioneers of risography. Founded in 1984, Knust was part of the Nijmegen artists’ initiative that originated during the squat movement in the Netherlands, where self-publishing ignited the clash between anarchist politics and neo-liberal urban reforms.

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Pak Mokum Terug is the name of a group of Amsterdam activists that refuse to accept that the basic right to housing no longer appears to apply. The group’s name means “Take Back Amsterdam,” Mokum being the traditional nickname for a capital city in which today, for more and more people, a home is becoming unaffordable. Against this background, Hotel Mokum reports on the squatting of a dilapidated hotel in the city center, narrated in the voice of a fictitious activist.

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A taxi drives through the city of Berlin. Its driver is a punk, left and a well-known figure in the autonomous scene. The stations of his trip are the most important places of the autonomous scene: all in the struggle for survival. The last evictions have not yet been processed and the next ones are coming right up.

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Documentary about a group of young idealistic friends in their squat in Amsterdam. Chased by the police and the press, they moved from squat to squat, with a clear message: don't make the city too expensive for the new generation of Amsterdammers. But living with such a large group and the flaws of the squat begin to take their toll. When the squatters collective falls apart halfway through the film, the filmmaker is left disillusioned and decides to confront the young squatters with her feelings of disappointment.

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Votes:

0

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In een tank kun je niet wonen

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0.0/10

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Year:

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Noviembre

Impelled by a spirit which still preserves a patina of idealism, Alfredo arrives to Madrid with the intention to create "a performance that is free, straight from the heart, capable of making people feel alive". His concept of what acting should be begins beyond the stage, out in the streets face to face with the public. Outdoors, in any town square, in a park or in the city's most commercial street, Alfredo and his troupe November start the show; demons to provoke passers-by, displays of social conscience, actions taken to the extreme to put the forces of law and order on full alert. There are no limits, no censorship; only ideas which are always valid so long as the public ceases to be the public and becomes part of the show swept by surprise, fear, tears or laughter. Theater as life, life as theater… there is no longer any difference.

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A school teacher discusses types of government with his class. His students find it too boring to repeatedly go over national socialism and believe that dictatorship cannot be established in modern Germany. He starts an experiment to show how easily the masses can become manipulated.

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