Wolfram, a Saliva do Lobo

The darkness of the mine, invaded by the miners' light, by the noisy machines and the permanent and intense smell of ore in the air, leads us to an environment in which time and space become confused. A documentary film at Panasqueiras' Mine, between 2008/09. A reality captured by an eye-observer which does not interfere, but follows the compost that grows from the earth and is decomposed by man-machine.

All Out! Dancing in Dulais

Dancing in Dulias was made by members of Lesbians and Gays Support the Miners (LGSM) and Lesbians Against Pit Closures during and immediate after the 1984/85 minders strike. Like the forthcoming movie, Pride, it documents the interactions between lesbians and gay men and the miners and their families in Dulais in South Wales - only this time it's the real thing. As well as some memorable footage that includes the Blaenant Lodge banner leading the 1985 Lesbian and Gay Pride march and LGSM members struggling with bingo at the local community hall, the film documents the wider political impact of this seemingly unlikely alliance. (cont. http://www.cambridgefilmfestival.org.uk/films/2014/dancing-in-dulais#sthash.HScQCj7E.dpuf)

Mining Review 2nd Year No. 11

The 23rd issue of the long running industry cinemagazine. Features the articles: 'Safety First', 'Paying For It' and ' A Star Drops In'.

Tous les jours la nuit: Mineros en Bolivia

For many years, the Swiss photographer Jean-Claude Wicky captured the world of Bolivian miners in photographs. When he discovered how strongly they reacted to his pictures, he decided to make a film. Black-and-white photographs alternate with film sequences, in which the miners talk about the harsh conditions of their everyday lives, while also rendering visible their pride, dignity, culture and dynamic traditions. Every day is night is first and foremost a testimonial of profoundly sincere human encounters based on respect, generosity and gratitude.

Costa del Coal

Mad, bad' poet Lord Byron and a lobster thermidor feature in a melancholy tour of Seaham with Johnny Morris.

Miners Leaving Pendlebury Colliery

A group of miners (including a sole black worker) exits the colliery gates.

Main Reef Road

Since the days of Apartheid, Main Reef Road has linked Johannesburg, its suburbs, and the outlying villages and gold mines of the region. Now the people of means flee the more remote reaches of the Road for the suburbs. Who remains along this once heavily travelled highway? Who slaves for the mining companies today? Filmmaker Nic Hofmeyr takes to the road to meet them. South Africa's history echoes in their stories, and in the very landscape.

The Stuff

Amalgamated Dairies hires David Rutherford, an FBI man turned industrial saboteur, to investigate a popular new product called “the Stuff,” a new dessert product that is blowing ice cream sales out of the water. Nobody knows how it’s made or what’s in it, but people are lining up to buy it. It's got a delicious flavor to die for!

Tegla puna vazduha

In the year 2000, few workers spend their days on a mining site in silent desperation, planing a strike and lamenting over their lives and bleak future. A shop-girl who's husband just left her is also in the center of attention.

Absent

A shell-shocked black soldier is cared for by a miner and his daughter when he wanders into their camp, and makes a fresh start in life with the aid of the American Legion.

Konjuh planinom

An exciting story of Husine coalminers who formed a partisan batch and put up an armed resistance during WW2 in Bosnia and Herzegovina.

Thud and Blunder in "Knock-Off Time"

Thud and Blunder learn what not to do while in a coal mine.

Оловна бригада

The story of a mine and the men who work it, particularly one miner, who has problems both at work and at home.

Ночь в сентябре

Film deals with Stakhanovite movement. Old miners try to sabotage young man's plan to renew methods of getting coal.

Thundering Caravans

Marshal Rocky Lane is sent to help the Sheriff who is under attack from both the miners whose ore wagons are disappearing and the newspaper editor for not catching the outlaws. But the editor is actually the leader of the gang and with the election forthcoming, she has a plan to make the Sheriff look bad so her son will be elected Sheriff thereby making it easy for them to continue with their robberies.

Little Accidents

In a small American coal town living in the shadow of a recent mining accident, the disappearance of a teenage boy draws three people together—a surviving miner, the lonely wife of a mine executive, and a local boy—in a web of secrets.

Lupeni 29

Transgender Nuclear Suicide Sojourner

Lies can kill. Transgender Nuclear Suicide Sojourner is an exploration of propaganda, lies, and the overwhelming urge to end it all.

鬼に訊け　宮大工 西岡常一の遺言

In-depth look at the twilight years, spent training apprentices, of temple builder Nishioka Tsunekazu, who was called the "devil" as he devoted his life to temple architecture. His insistence on the gargantuan timescale of linking life to the next millennium emerges from people who knew him. Remarkable as well for showing the unknown backstage of temple architecture. Nishioka, known as "the last temple carpenter," handled the major Showa-era repairs of Horyuji temple, and in 1990 was at the scene of the reconstruction work for Yakushi temple.

Guaret

Pedro is Mallorcan, born to a mother from Burgos and a father from Mallorca. Due to his distant relationship with his father, Pedro doesn't fully master Mallorcan as a language. He turns to the works of Damià Huguet to remember his father, as only his poems can fill the void left by his death. The poet's words transport Pedro to his childhood and his roots, even though many of the words are unknown to him, despite them belonging to his language. This becomes the driving force behind the protagonist's search for his own identity, his origins, what it means to be a man, father-son relationships, collective identity, and "mallorquinness". Pedro constantly questions the emotions stirred by Huguet's poetry, and, most importantly, who he is and where he belongs.