Shâd Bâsh

فراموشخانه Faramooshkhane

The Journey of a young man who is making a documentary about forgotten narratives around an old piano, takes him through an unknown path towards restoring history, culture and identity of his homeland, Iran, in dusty and abandoned objects.

To Be Far

In september 2017 Samira comes from Iran to Sarajevo, BH for the first time to shoot a documentary. She tries to connect with the country and people. In order to find people who traveled from far places like her, she attempts to visit a refugee center, but all she finds are closed gates as she isn't allowed to see anyone.

Rap & Revolution im Iran

Bitter Rivals: Iran and Saudi Arabia

Bitter Rivals illuminates the essential history - and profound ripple effect - of Iran and Saudi Arabia's power struggle. It draws on scores of interviews with political, religious and military leaders, militia commanders, diplomats, and policy experts, painting American television's most comprehensive picture of a feud that has reshaped the Middle East.

Canine Soldiers: The Militarization of Love

A documentary exploring the experience of going to war with a Military Working Dog, trained to find bombs before they can kill or maim soldiers, often at the expense of the dog's sanity.

All The Eyes

All The Eyes is the story of the lives of children whose geographical determinism has created obstacles for them to achieve their dreams. Children who live in one of the most deprived areas of Iran: Kotij, a city of 6,000 people in Balochistan.

Inside the Iranian Uprising

In September 2022, a 22-year-old Iranian woman, Mahsa Amini, died in police custody. She had been arrested by Iran’s religious police, accused of not wearing her hijab properly. The authorities said she had died of a heart attack, but rumors spread that she had been beaten on arrest. Citizens took to the streets in their thousands in fury. This is an extraordinary and shocking insight into what has been happening across Iran, revealing a regime under huge pressure and resorting to extreme cruelty to control its citizens.

Sheep Among Wolves: Volume II

Today, Iran's aggressive posture and rogue nuclear weapons program are straining the patience and nerve of the international community. With Iranian fighters, funds, and strategic weapons flooding into the Middle East, significant war appears inevitable. Meanwhile, something surprising is taking place inside this controversial country. Muslim-background Iranians are leading a quiet but mass exodus out of Islam and bowing their knees to the Jewish Messiah—with kindled affection toward the Jewish people. The Iranian awakening is a rapidly reproducing discipleship movement that owns no property, no buildings, has no budget, no 501c3 status, and is predominantly led by women. THIS IS THEIR STORY.

Showdown With Iran

As the United States and Iran are locked in a battle for power and influence across the Middle East—with the fear of an Iranian nuclear weapon looming in the background—FRONTLINE gains unprecedented access to Iranian hard-liners shaping government policy, including parliament leader Hamid Reza Hajibabaei, National Security Council member Mohammad Jafari and state newspaper editor Hossein Shariatmadari. In this report, FRONTLINE examines how U.S. efforts to install democracy in Iraq have served to strengthen Iran's position as an emerging power in the Middle East.

Googoosh: Made of Fire

On stage since she was a toddler, Googoosh has been an icon of Iranian pop culture since the 1970s. Her progressive style and raw singing talent attracted worldwide acclaim and saw her performing alongside the likes of Tina Turner and Ray Charles. But the star's career came to an abrupt halt after the Islamic Revolution, which banned women from singing in public. Googoosh was placed under house arrest, where she remained for the next two decades. Niloufar Taghizadeh's documentary, which includes interviews with the charismatic singer (now in her seventies, but still performing and advocating for women and girls) and arresting archival footage, offers both a loving portrait of a national icon and a fascinating historical and cultural record of Iran.

قاضی و مرگ

The documentary, " Death and the Judge", revolves around Iran's most famous criminal judge, Azizmohammadi. He served as a criminal judge for 45 years and issued about 4500 death sentences; a record in not only Iran, but also the world. This documentary looks into his personal and professional life as he is followed within his home with his family, in the court of law, and in his retirement days. The ultimate purpose of the documentary is to deduce the role of death in the judge's life as he either takes life away from criminals or death comes to his loved ones. During his retirement, he is once again given the choice between the life and death of a person, despite no longer being a judge.

American Coup

AMERICAN COUP tells the story of the first coup ever carried out by the CIA - Iran, 1953. Explores the blowback from this seminal event, as well as the coup's lingering effects on the present US-Iranian relationship. Includes a segment on the 1979 Iranian Hostage Crisis and its relation to the 1953 coup. Concludes with a section on the recent Iranian presidential election. Contains interviews with noted Middle East experts and historians and prominent public figures such as Stephen Kinzer (author, All The Shah's Men), Prof. Ervand Abrahamian, Trita Parsi, Col. Lawrence Wilkerson, Ted Koppel and Rep. Ron Paul of Texas. With Iranian cinematography by James Longley.

Climbing Iran

Nasim is a free climber, the only woman able to open new routes in Iran. She’s facing a double mountain to climb, both physical and cultural, as her passion collides with the strict policies concerning women freedom in her country. And she has a dream: open a new route in the Alps.

باد دبور

An investigation of government censorship in Iran.

وحيدا في صالة السينما

This documentary was written with passion and love for cinema, and on the other hand, he blamed her. Our fictional character for this documentary talks about her passion for cinema and how it affected her life and recounts the decades that passed on the cinema one after the other.

My Enemy, My Brother

The eight-year Iran-Iraq War was one of the most brutal conflicts to devastate the region in the 20th century. Zahed was 13 years old when he enrolled in the Iranian army. Najah was 18 when he was conscripted into the Iraqi army, and he fought against Zahed in the Battle of Khorramshahr. Fast forward 25 years, a chance encounter in Vancouver between these two former enemies turns into a deep and mutually supportive friendship. Expanded from the 2015 short film by the same name.

Az pase borghe

The Other Side of Burka is a 2004 Iranian documentary directed by Mehrdad Oskouei. In the southern island of Qeshm, Iran, which is a very strict region in point of tradition and African-Arabic rules, all women are under the pressure of patriarch society. Their sufferance is manifested by different mental (Zar, Possession) and physical diseases which must be only treated by Zar Ceremony. For the first time, despite the danger these women face, this film tells us the sad story of their life and shows their confection in front of the camera. It tries to be an honest mirror which reflects their sufferance and unveils their Burka to reveal their real characters.

Karun

On September 22, 1998, the Iranian poet Hamid Hajizadeh and his nine-year-old son Karun, whose name symbolically refers to Iran's longest river, were brutally murdered in their home in Kerman. The documentary film, based on the statements of the survivors, tries to sensitively reconstruct one of the many terrible motivated events that took place in Iran at the end of the previous century and draws us into the fateful day with the help of detailed shots of the objects in Hamid's study.

Only Image Remains

Starting with her own memories of working as an actress on Abbas Kiarostami's Ten, filmmaker Roya Akbari proceeds to elicit other testimonies on the masters of Iranian cinema from three people who are themselves among the foremost Iranian directors: Rafi Pitts on Parviz Kimiavi; Amir Naderi on Sohrab Shahid Saless; and Bahram Bayzai on Arby Ovanessian. Bayzai also analyses Haji Agha, the Cinema Actor (1933) by Ovanes Ohanian, considered the first feature film made in Iran.