72 Horas

Where Are You, João Gilberto?

Where are you, João Gilberto? sets out in the footsteps of German writer Marc Fischer who obsessively searched for the legendary founding father of Bossa Nova and last great musical legend of our time, Brazilian musician João Gilberto, who has not been seen in public for decades. Fischer described his journey in a book, Hobalala, but committed suicide one week before it was published. By taking up Marc Fischer's quest, following his steps one by one, thanks to all the clues he left us, we pursue João Gilberto to understand the history, the very soul and essence of Bossa Nova. But who can tell whether we will meet him or not?

Filhos de João, O Admirável Mundo Novo Baiano

A panorama of Brazilian popular music from the 60s and 70s through the musical group Novos Baianos. A retrospective of the community lifestyle adopted by its members and the influence inherited from singer João Gilberto.

Les enfants de Vercheny

Gal Costa: Recanto – Ao Vivo

There We Were, Now Here We Are... The Making of Oasis

A documentary made for television that looks back on the development and rapid rise of Oasis from being a band practicing nightly in the Boardwalk to one the biggest British bands of the last thirty years. Building from the formation of the band (with Liam apparently just fed up waiting for other bands to release records and decides to do something himself), the film uses contributions from key people really well to tell the story in an engaging way.

Gal Costa: Estratosférica – Ao Vivo

"Estratosférica ao Vivo" is not just the record of a Gal Costa show. It is the portrait of the artist reaching the 70 years of life, 50 of them dedicated to music. The show "Estratosférica" ​​crowns the new artistic phase of Gal, more and more interested in connecting several tips of the history of the music of Brazil, joining the composers of its generation to names of the new national scene. The script, created by Marcus Black, was very good at this idea. Sewing songs by Caetano Veloso, Tom Zé, Luiz Melodia, Jards Macalé and Waly Salomão, Carlos Pinto and Torquato Neto, Roberto and Erasmo Carlos - a series of tropicalist and post-tropicalist works that until now serve as reference and feed the new generations of music.

Gal Fa-Tal

Shot in 1971 during Gal Costa's famous concert "Gal Fa-tal" in Rio de Janeiro's Sucata Nightclub, Ivan Cardoso's eponymous Super-8 short film shows the singer both in and off stage, interlapsed with scenes from Cardoso's "Nosferato no Brasil".

Maria: Ninguém Sabe Quem Sou Eu

The film is an unprecedented and exclusive testimonial of Maria Bethânia from director and screenwriter Carlos Jardim, interspersed with rare footage of rehearsals and concerts by the singer throughout her 57-year career. Actress Fernanda Montenegro narrates five texts by authors such as Ferreira Gullar and Caio Fernando Abreu about Bethânia's importance on the Brazilian cultural scene.

Favela Bolada

For 20 years, a subculture has emerged in Brazil under society's radar. It is the culture surrounding 'funk carioca', a musical rhythm which mixes the American electronic funk of the 1980s with the most diverse influences of Brazilian music. 'Baile funk' is one of the most interesting musical movements in the world, but it comes from what is at times one of the most violent and poorest places in the world: the slums of Rio de Janeiro (favelas). This music is the personalization of the raw element. Bombastic rhythms coming from the American Miami Bass and samples are fused with powerful rap vocals using Brazilian slang. This documentary tells stories of sex, love, poverty, and pride among Rio's marginalized people. They have their own language, style, and heroes. It's a film that's fast, heavy, and violent like the city itself.

Dolly Parton Rockstar Global First Listen Event

Dolly Parton has joined forces with some of Rock music’s most legendary artists along with today’s biggest stars for her first-ever Rock album, Rockstar. Inspired by her 2022 induction into the Rock & Roll Hall of Fame, Dolly teamed up with an all-star roster of musicians for the thirty song collection which includes nine original tracks and twenty-one iconic Rock anthems.

Uma Nova Paixão

Terra Incógnita

Sexo é Bom

Toinen raide

A newspaper clip of a 30-year-old movie makes our middle-aged protagonist in the middle of his peak years to look for his best childhood friend. The journey leads him back to his teenage years in the 1990s depression, over-generational substance abuse and past encounters. This partly essayistic, autobiographical documentary tells the story of friendship and generational experiences while also pondering on the causes and effects of destinies in the judgmental atmosphere of our society.

Sem Dentes: Banguela Records e a Turma de 94

A documentary about Banguela Records, a 90's brazilian rock label.

Festive Land: Carnival in Bahia

Festive Land examines one of the largest and most extraordinary popular celebrations in the world, the week-long Carnival that brings more than two million people to the streets of Salvador, the capital of Bahia, in northeastern Brazil. Carnival is the most expressive showcase of the unique cultural richness of Bahia, where African culture has survived, prospered, and evolved, mixing with other Brazilian influences to create forms found nowhere else in the world. The film captures this unique cultural energy through extraordinary footage of musical performances, dances, religious manifestations, and street celebrations. At the same time, Carnival reflects the racial and social tensions of Brazil's heterogeneous society. At first glance there appear to be two million people chaotically mixed on the streets, but a more detailed look reveals how patterns of segregation driven by racial, social and economic differences continue in Carnival.

Raiz e Alma

Comitiva Esperança

Feminino e Barulho

The cinema of Pernambuco is considered one of the most complex components of Brazilian cinema, particularly for its potency and creative style. The presence of women in filmmaking seldom holds the same historical notoriety as that of men, and the Pernambuco scene is no exception. In the context of "Amor, Plástico e Barulho" (Love, Plastic, and Noise), we find a film that serves as a testament to the marginalization of women in the creative industry, intertwining themes of consumption and the production of brega music. Hence, we use "Feminino e Barulho" (Feminine and Noise) as a means to share what we've learned. Renata Pinheiro has inspired us to craft a narrative that gives voice to those who need to be heard. We are here to showcase a glimpse of them and what they represent. "Feminino e Barulho" is a short film about love, femininity, sisterhood, and empowerment.