Orfeu Negro

Young lovers Orfeu and Eurydice run through the favelas of Rio during Carnaval, on the lam from a hitman dressed like Death and Orfeu's vengeful fiancée Mira and passing between moments of fantasy and stark reality. This impressionistic retelling of the Greek legend of Orpheus and Eurydice introduced bossa nova to the world with its soundtrack by young Brazilian composers Luiz Bonfá and Antonio Carlos Jobim.

À Festa. À Guerra.

Jonas

During Carnival in São Paulo, a young man and young woman who knew each other as children meet again after many years and the social barriers that have kept them apart. Bad decisions lead the boy to hide with the girl inside a whale float.

La maschera pietosa

Italian drama from the Società Anonima Ambrosio company.

Um Ano Inesquecível - Verão

In order to study fashion in so-desired Paris, a young country girl who hates Carnival travels to Rio de Janeiro to try to get support from the most famous designer in Brazil. Set on sneaking into the sewing team of one of the biggest samba schools, she will discover that Carnival only lasts for a week, but a love story can change her entire life.

Labyrinth

O Carnaval é de Pelé

This short film follows Pelé, a retired nurse who looks back on his time as a Mateus in the century-old Bumba Meu Boi group, Boi Tira-Teima. As he builds a new boi for the festival, he revisits the defining moments of his journey as a performer, carnival artist, and son of Mestre Gerson, the group’s former patriarch. The film explores how the way we carry our memories of the past shapes who we become in the present.

Arriba quemando el sol

Juana, a young woman in her twenties sets out on a backpacking trip to the northwest of Argentina. Her aim is to find some places and people that appear in a series of photographs that she carries with her. As the adventure goes by, Juana finds out that the deepest meaning of the trip was but the simple fact that she has travelled through the experience itself.

PASSAGENS

The film depicts Bruno's encounter with an old flame at the Recife airport. He then recalls the moments spent with Alice during a carnival, and his feelings start to resurface. But could that passion have been just a creation of his mind?

Bom Carnaval

Matheus, a young man with self-steem problems, goes to his grandmother's house to spend the carnaval with his family. There, he sees his old friends and finds himself atracted to a mysterious masked person who will send him on a journey of self discovery that will change his relationship with his father.

O Mistério do Dominó Preto

"The Mystery of the Black Domino" was the first film directed in Brazil by a woman, the pioneer Cleo de Verberena. Marcos and Virgílio are medical students and share the same room. At the end of the first night of carnaval, Marcos finds the corpse of a woman, dressed as a black domino, inside the closet and accuses Virgílio of murder. Virgílio defends himself by saying that that was Cleo, wife of Commander Fernando Almeida, and that he found her in the corso asking for help, but Marcos questions Virgílio about the veracity of the story. Lost Film.

Quarta Cinza

Prédio Vazio

Luna sets out on a journey in search of her mother, who disappeared on the last day of Carnival in Guarapari. Her search leads her to an old building that is apparently empty but inhabited by tormented souls.

Donaire y Esplendor

In the traditional carnival of the small town called Las Tablas, there are two rival streets: Up Street and Down Street. A young couple, after an unexpected encounter at the airport, fall hopelessly in love.

Memória em Verde e Rosa

The Mangueira slum is the scenario where Tantinho and the old samba composers remember stories about the slums and samba.

Nao ’t Zuuje

Gal Costa: Recanto – Ao Vivo

Tropicália: 50 Anos

Deixa O Samba Me Levar

Infinita Tropicália

Tropicália was a Brazilian cultural movement that occurred between 1967 and 1968, inspired by Oswald de Andrade's anthropophagic ideals, pop art and the concretism. Twenty years later, this film revisits the movement and shows that Tropicalismo will never die.